Giandrea Noseda presented a muscled version (for nowadays standards for classical repertoire) of the London Symphony Orchestra for Beethoven 4th piano concerto. Nikolai Lugansky had not problem at all to get his sound filling the Barbican. The fierce attacks from Noseda were usually relaxed when the piano was coming in. Lugansky specially shined on the candezas. The second part, in consonance with the first one, was pure energy. Loudness and exhibitionism suits well to Shostakovitch 8th symphony but Noseda kept it classy by giving all the grows a proper meaning.