What a mixture for the 33th Prom! Nordic music + German romanticism + German anti-romanticism. And a vocal soloist for the first part of the concert and a cello one for the second one. And what a success! Things didn’t start quite well in the initial pieces of the Peer Gynt selection: Storgårds was conducting too straight to the point with too much energy without letting the lyrical aspect of the score to arise.