Glyndebourne’s La clemenza di Tito arrived to Proms in a semi-stage version. I’m not commenting about the stage because it won’t be fair. Maybe next year a rich boyfriend brings me to Glyndebourne to see these opera productions at their full. Let’s then focus on the musical part. Mozart masterpiece allows many different approaches. Young conductor Robin Ticciati presented a bright version of the it: luminosity over darkness, and it worked well.